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หลังจากที่ชาวบลิ๊งค์ทั่วโลกรอคอยภาพยนตร์สารคดี
BLACKPINK: Light Up the Sky กันมาอย่างยาวนาน ในวันนี้เรื่องราวของพวกเธอก็พร้อมจะปรากฏลงจอ Netflix ให้ได้ชมกันแล้ว ซึ่งทั้งสี่สาว BLACKPINK ได้มีการแถลงข่าวพร้อมให้สัมภาษณ์ถึงภาพยนตร์สารคดีดังกล่าว รวมถึง แคโรไลน์ ซอ ผู้กำกับมากความสามารถที่ได้วิดีโอคอลมาจากสหรัฐอเมริกาเพื่องานนี้โดยเฉพาะอีกด้วย

สาวๆ ได้บอกเล่าถึงเบื้องหลังการทำงานชิ้นสำคัญนี้ ซึ่งพวกเธอตื่นเต้นและลุ้นกันอย่างมากว่าสารคดีเรื่องนี้จะถูกใจผู้ชมไหม ฟีดแบ็กจะดีมากน้อยแค่ไหน ชาวบลิ๊งค์จะรู้สึกได้ถึงความตั้งใจของพวกเธอหรือเปล่า

JENNIE: “เราคิดกันอยู่บ่อยๆ ว่าทำอย่างไรจะได้ใกล้ชิดกับแฟนๆ รวมถึงคนทั่วไป พอได้ทำงานกับผู้กำกับซอ เรารู้เลยว่า ‘เราเจอคนที่ใช่แล้ว’ ไม่ลังเลเลยค่ะที่จะทำงานด้วยกัน สารคดีเรื่องนี้จะเป็นเหมือนของขวัญให้บลิ๊งค์ทุกคน ฉันตื่นเต้นมากๆ และรอคอยวันพรุ่งนี้ที่สารคดีจะออกฉายแล้ว”

JISOO: “ในสารคดีมีซีนที่เทศกาลดนตรี Coachella ด้วย ฉันเชื่อว่าแฟนๆ น่าจะเคยดูโชว์เราบนเวทีแล้ว แต่มีซีนหลังเวทีที่ยังไม่มีใครเคยเห็น ฉันดีใจมากๆ ที่มันอยู่ในสารคดีเรื่องนี้ด้วย แล้วมันอเมซิ่งมากๆ ที่เราเคยซ้อมทำโชว์ Coachella ตอนที่ยังเป็นศิลปินฝึกหัด ไม่คิดเลยว่าเราจะได้ขึ้นโชว์จริงๆ”

LISA: “นี่เป็นครั้งแรกที่ถ่ายทำสารคดีแบบที่มีกล้องและทีมงานติดตาม 24 ชม. แรกๆ พวกเราก็รู้สึกแปลกๆ แต่สักพักเราก็ไม่รู้สึกอึดอัดอะไรเลย ยิ่งถ่ายทำไปนานๆ เรายิ่งเป็นธรรมชาติ เล่นกันแบบปกติ ซึ่งเรื่องนี้ต้องขอบคุณผู้กำกับซอมากที่เตรียมตัวในการทำงานอย่างดี และทำให้เราได้เป็นตัวเราเองจริงๆ”

ROSE: "ตอนที่ถ่ายซีนสัมภาษณ์ เราจริงใจกันมากๆ เปิดใจ เปิดความคิด พวกเราจะพูดในภาษาที่สบายใจ มีหลายภาษาเลยค่ะ ลิซ่าพูดภาษาไทย จีซูภาษาเกาหลี ฉันกับเจนนี่โตในต่างประเทศก็จะพูดทั้งเกาหลี-อังกฤษ มีหลายภาษาในสารคดีเรื่องนี้ ซึ่งมันเป็นสัญลักษณ์ความเป็น BLACKPINK ที่ผสมผสานความหลากหลายฉันเองก็เล่าความรู้สึกข้างในจนต้องเช็ดน้ำตาแทบทุกครั้ง ก่อนทำงานและหลังจากนั้น ผู้กำกับซอจะคอยถามว่าเราสบายใจไหม อึดอัดอะไรบ้าง เธอจะคอยถามเรื่องนี้ตลอด ซึ่งฉันว่าเธอเท่มากๆ เก่งมากๆ ในการทำงานโดยที่เรายังเป็นตัวของตัวเอง และสบายใจที่จะเล่าเรื่องราวต่างๆ”

ผู้กำกับซอ: “ฉันดีใจที่ได้ยินคำชมนะคะจริงๆ แล้วการทำงานกับพวกคุณสนุกมากๆ และพวกคุณเจ๋งมากๆ เหมือนกันฉันสนุกมากในการทำสารคดีเรื่องนี้มันเต็มไปด้วยความรู้สึกแง่บวก ฉันต้องการเล่าเรื่องราวของ BLACKPINK ผ่านมุมมองของสมาชิกในวง และการเดินทางของพวกเขาว่าเป็นอย่างไร โชคดีมากที่ YG ถ่ายฟุตเทจตอนที่วงยังเป็นศิลปินฝึกหัด หรือบรรยากาศเบื้องหลังต่างๆ ไว้เยอะมาก มีฟุตเทจเป็นพันๆ เลยที่ฉันได้ดู ซึ่งมันเป็นวัตถุดิบที่มีค่ามากๆ รวมถึงภาพเก่าๆ ฉันต้องขอบคุณ BLACKPINK มากๆ ที่มอบสิ่งเหล่านี้ให้”

มารอชมกันวันนี้ว่าเรื่องราวของทั้งสี่สาว BLACKPINK ตั้งแต่ช่วงที่เป็นศิลปินฝึกหัดไปจนถึงช่วงประสบความสำเร็จระดับโลกในฐานะวงเกิร์ลกรุ๊ป K-POP ที่ดังที่สุดในเวลานี้จะสร้างความประทับใจให้แฟนๆ มากแค่ไหน
เวลาออกอากาศทาง HERE: 14.00 น.

BLACKPINK's first documentary "Light Up the Sky" will air on Here today, Wednesday (14/10/2020). The *** is directed by Caroline Suh, the *** maker behind the documentary series "Salt Fat Acid Heat.

Light Up the Sky will tell the story of BLACKPINK's journey to rapid popularity since its debut in 2016.
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About BLACKPINK: Light Up the Sky

The *** will contain a number of previously undisclosed video footage, namely backstage stories such as life in dormitories to a number of events they attended.

"We are thrilled to be able to share our story with Blink [BLACKPINK fandom] around the world through this documentary. We hope that this project will make the audience happy," said BLACKPINK personnel, as quoted by Soompi.

'Actually, I don't know anything about K-Pop, but I found out through my nephew who is a big fan of it. I also don't know much about BLACKPINK, but I am responsible for this documentary," director Caroline Suh said at a press conference, as quoted by News1.

He continued, "As a Korean-American who is very interested in Korea, I searched all the data about BLACKPINK, and after that, I realized that I had to do this."

"They are much cooler than me, and I really enjoy working with them. Someone asked me what was the hardest part of this process, but I actually found it very interesting and fun," he added.

Jennie BLACKPINK also shared her thoughts on the documentary, saying, "We always wondered what was the best way to share our journey, but through a good opportunity, we were able to meet caroline suh," she said.

Jennie added, "After talking to him, we became confident. This documentary will be released in an interesting way, so I hope tomorrow comes."

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Blackpink: Light Up the Sky 평점 09 . 4
다큐멘터리
미국
2020.10.14 (개봉예정)
79분, 12세이상관람가
감독 캐롤라인 서 주연 제니, 지수, 리사, 로제
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An action story is similar to adventure, and the protagonist usually takes a risky turn, which leads to desperate scenarios (including explosions, fight scenes, daring escapes, etc.). Action and adventure usually are categorized together (sometimes even while “action-adventure”) because they have much in common, and many stories are categorized as both genres simultaneously (for instance, the James Bond series can be classified as both).
🔥 ANALYZER GOOD / BAD 🔥
To be honest, I didn’t catch Zombieland when it first got released (in theaters) back in 2008. Of course, the movie pre-dated a lot of the pop culture phenomenon of the usage of zombies-esque as the main antagonist (i.e Game of Thrones, The Maze Runner trilogy, The Walking Dead, World War Z, The Last of Us, etc.), but I’ve never been keen on the whole “Zombie” craze as others are. So, despite the comedy talents on the project, I didn’t see Zombieland….until it came to TV a year or so later. Surprisingly, however, I did like it. Naturally, the zombie apocalypse thing was fine (just wasn’t my thing), but I really enjoyed the *** ’s humor-based comedy throughout much of the feature. With the exception of 2004’s Shaun of the Dead, majority of the past (and future) endeavors of this narrative have always been serious, so it was kind of refreshing to see comedic levity being brought into the mix. Plus, the *** ’s cast was great, with the four main leads being one of the *** ’s greatest assets. As mentioned above, Zombieland didn’t make much of a huge splash at the box office, but certainly gained a strong cult following, including myself, in the following years.
Flash forward a decade after its release and Zombieland finally got a sequel with Zombieland: Double Tap, the central focus of this review post. Given how the original *** ended, it was clear that a sequel to the 2008 movie was indeed possible, but it seemed like it was in no rush as the years kept passing by. So, I was quite surprised to hear that Zombieland was getting a sequel, but also a bit not surprised as well as Hollywood’s recent endeavors have been of the “belated sequels” variety; finding mixed results on each of these projects. I did see the *** ’s movie trailer, which definitely was what I was looking for in this Zombieland 2 movie, with Eisenberg, Harrelson, Stone, Breslin returning to reprise their respective characters again. I knew I wasn’t expecting anything drastically different from the 2008 movie, so I entered Double Tap with good frame of my mind and somewhat eagerly expecting to catch up with this dysfunctional zombie killing family. Unfortunately, while I did see the movie a week after its release, my review for it fell to the wayside as my life in retail got a hold of me during the holidays as well as being sick for a good week and half after seeing the movie. So, with me still playing “catch up” I finally have the time to share my opinions on Zombieland: Double Tap. And what are they? Well, to be honest, my opinions on the *** was good. Despite some problems here and there, Zombieland: Double Tap is definitely a fun sequel that’s worth the decade long wait. It doesn’t “redefine” the Zombie genre interest or outmatch its predecessor, but this next chapter of Zombieland still provides an entertaining entry….and that’s all that matters.
Returning to the director’s chair is director Ruben Fleischer, who helmed the first Zombieland movie as well as other *** projects such as 30 Minutes or Less, Gangster Squad, and Venom. Thus, given his previous knowledge of shaping the first *** , it seems quite suitable (and obvious) for Fleischer to direct this movie and (to that affect), Double Tap succeeds. Of course, with the first *** being a “cult classic” of sorts, Fleischer probably knew that it wasn’t going to be easy to replicate the same formula in this sequel, especially since the 10-year gap between the *** s. Luckily, Fleischer certainly excels in bringing the same type of comedic nuances and cinematic aspects that made the first Zombieland enjoyable to Double Tap; creating a second installment that has plenty of fun and entertainment throughout. A lot of the familiar / likeable aspects of the first *** , including the witty banter between four main lead characters, continues to be at the forefront of this sequel; touching upon each character in a amusing way, with plenty of nods and winks to the original 2008 *** that’s done skillfully and not so much unnecessarily ham-fisted. Additionally, Fleischer keeps the *** running at a brisk pace, with the feature having a runtime of 88 minutes in length (one hour and thirty-nine minutes), which means that the *** never feels sluggish (even if it meanders through some secondary story beats / side plot threads), with Fleischer ensuring a companion sequel that leans with plenty of laughter and thrills that are presented snappy way (a sort of “thick and fast” notion). Speaking of which, the comedic aspect of the first Zombieland movie is well-represented in Double Tap, with Fleischer still utilizing its cast (more on that below) in a smart and hilarious by mixing comedic personalities / personas with something as serious / gravitas as fighting endless hordes of zombies every where they go. Basically, if you were a fan of the first Zombieland flick, you’ll definitely find Double Tap to your liking.
In terms of production quality, Double Tap is a good feature. Granted, much like the last *** , I knew that the overall setting and background layouts weren’t going to be something elaborate and / or expansive. Thus, my opinion of this subject of the movie’s technical presentation isn’t that critical. Taking that into account, Double Tap does (at least) does have that standard “post-apocalyptic” setting of an abandoned building, cityscapes, and roads throughout the feature; littered with unmanned vehicles and rubbish. It certainly has that “look and feel” of the post-zombie world, so Double Tap’s visual aesthetics gets a solid industry standard in my book. Thus, a lot of the other areas that I usually mentioned (i.e set decorations, costumes, cinematography, etc.) fit into that same category as meeting the standards for a 2018 movie. Thus, as a whole, the movie’s background nuances and presentation is good, but nothing grand as I didn’t expect to be “wowed” over it. So, it sort of breaks even. This also extends to the *** ’s score, which was done by David Sardy, which provides a good musical composition for the feature’s various scenes as well as a musical song selection thrown into the mix; interjecting the various zombie and humor bits equally well.
There are some problems that are bit glaring that Double Tap, while effectively fun and entertaining, can’t overcome, which hinders the *** from overtaking its predecessor. Perhaps one of the most notable criticism that the movie can’t get right is the narrative being told. Of course, the narrative in the first Zombieland wasn’t exactly the best, but still combined zombie-killing action with its combination of group dynamics between its lead characters. Double Tap, however, is fun, but messy at the same time; creating a frustrating narrative that sounds good on paper, but thinly written when executed. Thus, problem lies within the movie’s script, which was penned by Dave Callaham, Rhett Reese, and Paul Wernick, which is a bit thinly sketched in certain areas of the story, including a side-story involving Tallahassee wanting to head to Graceland, which involves some of the movie’s new supporting characters. It’s fun sequence of events that follows, but adds little to the main narrative and ultimately could’ve been cut completely. Thus, I kind of wanted see Double Tap have more a substance within its narrative. Heck, they even had a decade long gap to come up with a new yarn to spin for this sequel…and it looks like they came up a bit shorter than expected.
Another point of criticism that I have about this is that there aren’t enough zombie action bits as there were in the first Zombieland movie. Much like the Walking Dead series as become, Double Tap seems more focused on its characters (and the dynamics that they share with each other) rather than the group facing the sparse groupings of mindless zombies. However, that was some of the fun of the first movie and Double Tap takes away that element. Yes, there are zombies in the movie and the gang is ready to take care of them (in gruesome fashion), but these mindless beings sort take a back seat for much of the *** , with the script and Fleischer seemed more focused on showcasing witty banter between Columbus, Tallahassee, Wichita, and Little Rock. Of course, the ending climatic piece in the third act gives us the best zombie action scenes of the feature, but it feels a bit “too little, too late” in my opinion. To be honest, this big sequence is a little manufactured and not as fun and unique as the final battle scene in the first *** . I know that sounds a bit contrive and weird, but, while the third act big fight seems more polished and staged well, it sort of feels more restricted and doesn’t flow cohesively with the rest of the *** ’s flow (in matter of speaking).
What’s certainly elevates these points of criticism is the *** ’s cast, with the main quartet lead acting talents returning to reprise their roles in Double Tap, which is absolutely the “hands down” best part of this sequel. Naturally, I’m talking about the talents of Jessie Eisenberg, Woody Harrelson, Emma Stone and Abigail Breslin in their respective roles Zombieland character roles of Columbus, Tallahassee, Wichita, and Little Rock. Of the four, Harrelson, known for his roles in Cheers, True Detective, and War for the Planet of the Apes, shines as the brightest in the movie, with dialogue lines of Tallahassee proving to be the most hilarious comedy stuff on the sequel. Harrelson certainly knows how to lay it on “thick and fast” with the character and the s**t he says in the movie is definitely funny (regardless if the joke is slightly or dated). Behind him, Eisenberg, known for his roles in The Art of Self-Defense, The Social Network, and Batman v Superman: Dawn of Justice, is somewhere in the middle of pack, but still continues to act as the somewhat main protagonist of the feature, including being a narrator for us (the viewers) in this post-zombie apocalypse world. Of course, Eisenberg’s nervous voice and twitchy body movements certainly help the character of Columbus to be likeable and does have a few comedic timing / bits with each of co-stars. Stone, known for her roles in The Help, Superbad, and La La Land, and Breslin, known for her roles in Signs, Little Miss Sunshine, and Definitely, Maybe, round out the quartet; providing some more grown-up / mature character of the group, with Wichita and Little Rock trying to find their place in the world and how they must deal with some of the party members on a personal level. Collectively, these four are what certainly the first movie fun and hilarious and their overall camaraderie / screen-presence with each other hasn’t diminished in the decade long absence. To be it simply, these four are simply riot in the Zombieland and are again in Double Tap.
With the movie keeping the focus on the main quartet of lead Zombieland characters, the one newcomer that certainly takes the spotlight is actress Zoey Deutch, who plays the character of Madison, a dim-witted blonde who joins the group and takes a liking to Columbus. Known for her roles in Before I Fall, The Politician, and Set It Up, Deutch is a somewhat “breath of fresh air” by acting as the tagalong team member to the quartet in a humorous way. Though there isn’t much insight or depth to the character of Madison, Deutch’s ditzy / air-head portrayal of her is quite hilarious and is fun when she’s making comments to Harrelson’s Tallahassee (again, he’s just a riot in the movie).
The rest of the cast, including actor Avan Jogia (Now Apocalypse and Shaft) as Berkeley, a pacifist hippie that quickly befriends Little Rock on her journey, actress Rosario Dawson (Rent and Sin City) as Nevada, the owner of a Elvis-themed motel who Tallahassee quickly takes a shine to, and actors Luke Wilson (Legally Blonde and Old School) and Thomas Middleditch (Silicon Valley and Captain Underpants: The First Epic Movie) as Albuquerque and Flagstaff, two traveling zombie-killing partners that are mimic reflections of Tallahassee and Columbus, are in minor supporting roles in Double Tap. While all of these acting talents are good and definitely bring a certain humorous quality to their characters, the characters themselves could’ve been easily expanded upon, with many just being thinly written caricatures. Of course, the movie focuses heavily on the Zombieland quartet (and newcomer Madison), but I wished that these characters could’ve been fleshed out a bit.
Lastly, be sure to still around for the *** ’s ending credits, with Double Tap offering up two Easter Eggs scenes (one mid-credits and one post-credit scenes). While I won’t spoil them, I do have mention that they are pretty hilarious.
🔥 FINAL THOUGHTS 🔥
It’s been awhile, but the Zombieland gang is back and are ready to hit the road once again in the movie Zombieland: Double Tap. Director Reuben Fleischer’s latest *** sees the return the dysfunctional zombie-killing makeshift family of survivors for another round of bickering, banting, and trying to find their way in a post-apocalyptic world. While the movie’s narrative is a bit messy and could’ve been refined in the storyboarding process as well as having a bit more zombie action, the rest of the feature provides to be a fun endeavor, especially with Fleischer returning to direct the project, the snappy / witty banter amongst its characters, a breezy runtime, and the four lead returning acting talents. Personally, I liked this movie. I definitely found it to my liking as I laugh many times throughout the movie, with the main principal cast lending their screen presence in this post-apocalyptic zombie movie. Thus, my recommendation for this movie is favorable “recommended” as I’m sure it will please many fans of the first movie as well as to the uninitiated (the *** is quite easy to follow for newcomers). While the movie doesn’t redefine what was previous done back in 2008, Zombieland: Double Tap still provides a riot of laughs with this make-shift quartet of zombie survivors; giving us give us (the viewers) fun and entertaining companion sequel to the original feature.


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